ISE599: Engineering Approaches to Music Perception and Cognition

Week 5 (12 Feb 2003): Pitch Spelling and Local Key-Finding






  1. Student summaries of the class.

  2. Intervals

    • Review ( reference found by Shivani Yardi )

  3. Pitch-Spelling


    • "Automatic Pitch Spelling: From Numbers to Sharps and Flats" by Cambouropoulos E. (2001). In Proceedings of the VIII Brazilian Symposium on Computer Music.

      ( Presentation by Phillip Wu -- PPT )

    • "Mapping MIDI to the Spiral Array: Disambiguating Pitch Spellings" by Chew E., Chen Y.-C. (2003). In Proceedings of the 8th INFORMS Computer Society Conference.

      ( Presentation by Yun-Ching Chen -- PPT )

  4. Listening for boundaries

    • "Minuet in G" by J.S. Bach [ SCORE: JPG | HTML (SIB) ]
    • "Variations WoO78" by Ludwig van Beethoven [ SCORE: JPG | HTML (SIB) ]

    Reference:

    • "An Algorithm for Determining Key Boundaries." [ PDF ]
      by Elaine Chew. In Proceedings of the 2nd Intl Conference on Music and Artificial Intelligence (2002).

    Presentation:

    • "Localized Key-Finding: Algorithms and Applications."
      by Shmulevich, I., Yli-Harja, O. (2000) Music Perception, Vol. 17, No. 4, p. 531-544.

      ( Presentation by Arpi Mardirossian -- PPT )

      Examples: J.S.Bach's Two-Part Invention in F major, Prelude in C minor from WTCII
      ( MIDI files can be found at kunstderfuge.com )

  5. Assigned Readings (handed out in class)

    • Notes on
      "Linguistics and the Computer Analysis of Tonal Harmony."
      by Terry Winograd (1968). Re-printed in Stephan Schwanauer and David Levitt (Eds.),
      Machine Models of Music, MIT Press, 1993, pp. 113-153.



Posted 12 Feb 2003.

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